I Have a Gripe

September 17, 2017

The Charging Bull and the Fearless Girl

According to today’s definition of the word, I am not a feminist. I’ve regularly been told I’ve “sold out the sisterhood.

Do I believe women are strong and capable individuals and deserve to be treated and paid equally? Absolutely. Do I believe women should receive special treatment in an effort to “level the playing field?” Absolutely not. A perfect example of this absurdity is NYU Film School’s so-called gender equality. Selecting women over men in the name of equality is utterly ridiculous. The concept is basically saying “women aren’t good enough to compete on their own merits so we are going to tip the scales.”

Now do I believe the “boy’s club” exists? Definitely. I’ve experienced it first hand. Do you know what I did to combat it? I did my job to the best of my ability. I’ve worked in male-dominated fields my entire career. I proved my worth of doing my job. I’ve told stories of my work multiple times over the years so I don’t feel the need to repeat myself. You can read more about them here.

I will admit early in my career I avoided wearing my wedding band on interviews. I didn’t want to be looked upon as a “baby factory.” Did I need to do that? I really can’t say for sure. Would I recommend this to my nieces? No. I don’t think it is necessary.

So why am I telling you all this and what does it have to do with two sculptures in New York City? Let me explain.

Earlier this year a new sculpture was installed (at the time temporarily) called the “Fearless Girl” on Wall Street in New York City. It was placed facing the iconic “Charging Bull” the day before International Women’s Day. Fearless Girl was commissioned by investment firm State Street Global Advisors to advertise an index fund which comprises gender-diverse companies that have a higher percentage of women among their senior leadership. It is an extremely well-executed sculpture by the artist. It quickly, however, turned into a point of contention and became a new rally cry for feminists everywhere.

My problem with it? It has completely changed the definition of the Charging Bull. What is the history of the Charging Bull you ask? Allow me to clarify.

ChargingBull

Arturo Di Modica and his Charging Bull (source: chargingbullcom)

Sculpture and Sicilian Arturo Di Modica developed the Charging Bull as a way to celebrate America, and specifically, New York. It celebrates the opportunities the nation offers to people of the world who are willing to come and work for success. It’s the symbol of courage Di Modica saw as the perfect antidote to the Wall Street crash of 1986. It is a celebration of the human spirit and determination of Americans.

 

Now the Fearless Girl is placed facing the Charging Bull. Instead of the celebration of the ability to survive whatever is thrown at Americans, it is now viewed as a little girl facing down the big bad men of Wall Street.

Shameful.

The sculptor has voiced his concern over the placement of Fearless Girl, saying it distorts and politicizes his art and has asked that it be removed. Will that happen? Unfortunately, I doubt it.

I agree with Di Modica. The Fearless Girl has changed the meaning of his art.

If it is decided that Fearless Girl is to remain on display indefinitely, I hope it will be moved elsewhere so the meaning of the Charging Bull is returned to its true inspiration. Unfortunately, I will be shocked it that happens.

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